QC INTERVIEW: WAYNE COYNE OF THE FLAMING LIPS

by kevin diamond

Let me say this: Wayne Coyne can talk. The hardest part about this interview was trying to find an appropriate moment to ask a question. Let me also say this: the man is as funny, humble, and optimistic as you’d probably think. In our pre-Christmas interview, we talk about Oklahoma City, why The Flaming Lips have aged better than Aerosmith, the dangers of (certain) drugs, and why we should all thank Santa Claus this year. The Lips’ dvd/cd Christmas on Mars is currently available via Warners Bros. and iTunes.

Quiet Color: Hello, is this Wayne?

Wayne Coyne: This is Wayne.

QC: This is Kevin from Quiet Color.

WC: Oh, there you go.

QC: Are you in Oklahoma City right now?

WC: I am, and I have a bunch of work being done on my house, you kind of get the feeling everybody’s putting the crunch on because they’re gonna take the Christmas break. I must have ten trucks and 15 workers here helping me renovate the back of my house here so you might hear dogs barking and drills going and wood flying everywhere, so…

QC: I’ll try to work through it.

WC: OK.

QC: You’ve always been a big booster for your town, what is it about Oklahoma City that you love?

WC: Oh, I don’t know, I think it’s like anybody who’s grown up in a place, half of what you like about it is probably the dumb memories you have of growing up when you were a kid and didn’t realize you were living anywhere at all. I’m 47 years old so I think half of what makes your life great is the shit that’s in your mind about it. But I think that’s true of any place you live. I wouldn’t say that Oklahoma City is better or worse than any place, and I would never have thought that Oklahoma City would even have embraced the idea of The Flaming Lips.

QC: But they certainly have, I mean they just named a street after you.

WC: I know, and our song is one of the songs being considered for the state rock song, I don’t really know what that means.

QC: Which song?

WC: Do you Realize has been nominated. But I have to say it’s been the longest voting process in history, I’ve been hearing about it since the beginning of the summer, so I don’t know how long the voting will go, or maybe it’s actually fixed that the voting will go until the Flaming Lips win.

I think half of it is our popularity and our reputation as being eternally outsiders, even in the music business, there’s an element of Oklahoma City that wants to embrace this new idea of: a place like Oklahoma city can be something different than just sports, and country music, and the Bible. Some of the city leaders have thought: Well, Wayne’s a good example of another way that you can be [an Oklahoman], and still live here, and still seem like it’s a significant contribution to art, and music, and you can live in Oklahoma City.

Frankly, even a lot of the Country artists that claim to be from Oklahoma. They’ll claim to be from Nashville, and then they’ll say later on oh, I grew up in Oklahoma but they don’t live here, it’s not like you can drive down the street and see Garth Brooks. Toby Keith is one of the only other ones, he lives in Norman, and you can actually go by his house, he actually lives there.

But there’s a lot of people that come up to me all the time, you know, I’ll be in the shopping malls or something, they’ll say “Wayne, you know, we’re so glad you guys stay here, man, it’s such a cool thing to know that you guys are part of our town,” and as much as I can say that’s kind of hokey or whatever, it’s awesome, when real people say it to you, and you can really see they meant it, for whatever this thing is, I really have not that much to do with it, it seems I’ve made a difference to some people here in the community. Frankly, I’m just doing what I like, and it seems to work out.

QC: I was actually thinking about that today, going over what I was gonna ask you, about bands that are kind of outsiders, as those bands mature, they sort of grow into this worldview they’ve already been playing with, whereas some of the more mainstream bands like Aerosmith or Guns ‘n’ Roses, as they get older, they kind of start looking ridiculous and, well, sad.

WC: (laughing) Well, I think it would depend on who you talk to, I think a lot of Aerosmith fans are probably getting older and in the same way probably still values those sorts of things, but yeah I’d say there’s something attractive, and there’s some dignity to an artist just accepting the life that they have now as opposed to this image that’s sort of left over from when they were in their twenties. I think it’s wonderful to be standing in the same sort of shadow that someone like Tom Waits could be in or something. That  sort of thing, especially when you’re young, you think, my god, what are people going to think of me when I’m 50 years old, you know? And it can be frightening. And then by the time you get there, you just don’t care.

But I don’t know, I would think the guys in Aerosmith or U2, I guess the guys in U2 don’t seem as embarrassed as the guys in Aerosmith (laughs) but I don’t know. We’ve played with people like Tom Petty and Bob Dylan… and I think Bob Dylan is definitely weirder than most of them, even though he’s old. It’s just kind of a… weird old.

QC: I saw him play in Syracuse and he sat down the entire time. It was so strange

WC: Yeah, I think it’s a little bit of a jarring experience to see Bob Dylan. We played a festival with him a couple years back, and it was just jarring in a way, he’s just a strange old man.

Bob Dylan probably has a dilemma probably worse than anyone other living icon, I mean most of the pictures that people will publish of him will be in his heyday, he’s probably 20 years old with his big hair and his tight suit and then you see him now, and you’re like oh my god, what happened? He’s just old, you know.

QC: It’s almost like the musical equivalent of a Vietnam vet or something.

WC: (laughs)

QC: It’s just, he’s lived through some things, you know?

WC: Sometimes it’s just a shock, in person, to be like wow, that’s really him. Whereas with myself, I don’t think a lot of people even know what I looked like when I was younger, most people will only know me from when I’m older. If I’m lucky I can be embedded in peoples memory more like a William Boroughs/Santa Claus figure where it’s like, “He was already old by the time I knew about him!” That would probably work better for me than any other accidental part of my career.

QC: Speaking of Santa Claus, Christmas on Mars was just released. You’ve been working on it a long time. It actually still says it’s going to be released in 2004 on your website.

WC: I know, people will still come up to me and say “Wayne, is it true it’s coming out in 2003″ I say, “Yes, of course it’s true.” The Internet has the uncanny ability to tell the truth more than you can, in your life.

I’ve been doing a lot of interviews and stuff, since the movie is coming out, and it still doesn’t feel as though I’ve been able to accept that it’s actually finished, I don’t think I’ve ever worked on anything as intensely and as long as Christmas on Mars. It was always, you know that term ‘the back burner,’ you’ve always got things that seem to be in front of that, more important and more timely, and Christmas on Mars was always back there, burning away. Even in my mind now, I wake up and part of me is comforted with this idea that I’ll always be thinking about Christmas on Mars, probably all of my life, even though now it’s finished. I think I just had to accept that I was stressed out about it and try to connect the billions of different dots and ideas and themes that I thought it could be for so long. I think my mind will always have a spot in it where Christmas on Mars is running around. It’s kind of weird, but kind of good and kind of strange and different for sure.

QC: Is it a different payoff than when you complete an album?

WC: Well, I was just in England for a week, doing interviews and radio shows and speaking when the film plays. For me, I think it’s very easy. In a way, the film, if there’s an analogy you can get with it, it must be like being a painter. You do all the work and then it just shows up. You just stand there and say “Hey, look at this thing I did,” for better or for worse, there’s no real performance involved in it, whereas when you’re in a rock band you do the record, then you do the videos, and you do all this stuff, but then you show up and you still have to perform the thing in front of people. So it’s a lot simpler, the films shows up, and you show up, and you don’t have to sweat or do anything. You get something to drink, and you talk all night. In that way, I find it to be strangely simple.

Don’t get me wrong, it’s not like I’m doing a Steven Spielberg film, it’s just this strange little art film that the Flaming Lips audience, obviously, are the people going to see it, I could see doing that for 6 months and not being as physically destroyed as when you go out and play rock shows for 6 months straight. But it’s not as rewarding either. You get done playing a show, and you do feel like, my god, the music, and being with a crowd and all that is just the greatest experience you could have. I’m not saying the film isn’t fun, but you don’t get quite the intensity of being there with loud music and a freaked out crowd.

But I like the idea that I get to do different things. I think the worst thing that happens to, especially young rock bands, is they think they’re going into this giant, adventurous anything-can-happen world but the minute you’re successful, you end up just doing the same thing over and over and over. Especially playing on long tours, where you just have to get on the bus, get on the plane, play another show, and there’s so much schedule that the adventure sort of gets stripped away from it, just by simply keeping up with your own agenda.

So I’m lucky that we’re successful enough that we can enjoy a real nice life, but we’re not so successful that it seems like we should drop everything and just move into trying to be the biggest band in the world, or trying to be number one, or trying to move a hundred thousand more units or whatever the agenda would be. We’re still able to follow our artistic muse, and not worry that we’ve left some other opportunity in the dust. In that way, it’s just dumb luck.

QC: Well, it’s also hard work, you guys have put a lot of work into creating a live show that exists outside of the album, it’s a completely secondary world from the live album, when you go to see a Flaming Lips show, and there’s confetti, and blood, and bubbles, and animals…

WC: Well, I think that’s part of the dumb luck of being a band that just made your own way for 25 years. I see young groups all the time, they’re not successful enough that they can carry a bunch of crazy shit with them, or they’re so successful that they just hired the latest and greatest lighting designer from Los Angeles and get what they get. We’ve been able to build it up, little by little, and understand it and work with it and design what we want out of our own show, so in that way, that’s just dumb luck. Some people would probably never want to do that anyway, but I know, for us, it would be very frustrating if we weren’t able to do the kind of show that we wanted. It would just be another round of good times versus bad times, one of those dumb rock and roll stories where “yeah, everybody loves us, but god, we’re not satisfied” whereas, with me, I’m really lucky that I just get to do what I like, and I guess in a sense not worry about that one big failure’s gonna come along and devastate us. We don’t have to sell a million records to keep rolling along, so again, I think that’s just dumb luck and timing, and I don’t know if any other group in the world can hope it would work out as easily or as perfectly as our situation did.

QC: Well, all they have to do is try for 25 years and they’ll find out, I guess.

WC: (laughs) well, I think a lot of people would look at us as a failure! If this is failure, I’ll take it, ya know? In a way, I think the things we’ve failed at have showed us what we really want to do more than anything. Sometimes you follow the successes along, and if it all works out, and everyone makes money and everyone gets patted on the back, you end up doing a lot of things that you don’t really care about. But being forced to confront things that you thought were going to work, and don’t work, king of makes you go to the bottom of what you really value in the work that you’re doing. And I know, the way that we made this movie, there were never any illusions that we were gonna make some big giant blockbuster, we always knew we were making just a little art film, just a little home made strange art film. There was a million times, going back to 2001, to when it was finished, where I could have thought, oh, what does it matter if we finish it or not, no one cares about that, but I knew that we cared about it, and I think, in a sense, that’s the only reason any art should ever be made. You know? You care about it, fucking do it.

Because there are a million reasons why it won’t succeed or why you should change it to be more commercially appealing, or whatever that bullshit can be, and I’m so glad I’ve been able to really know why I do what I do. I think if I didn’t get to do whatever my mind is obsessed with, if I didn’t get to pursue that, I think I would be very frustrated, in one way or another, I think I would probably lose my optimism about being in such a… whatever the music industry, whatever the bad things about the music industry that can happen, I would probably have different feelings about it. Either way, this worked out for me, I’m like, fuck, man. It’s about as good as you could want it.

QC: Over the course of 25 years, you guys have had some line up changes and almost different eras of the Flaming Lips. Does it feel compartmentalized like that? Does it feel like the history of the Flaming Lips comes in stages, or does it feel like a natural progression, like a continuum?

WC: I think it’s probably not even so much the stages of the band as much as stages in your mental fucking growth, or whatever. There are times when I’m listening to our most recent music, where I kind of feel like,:that’s ‘me,’ that’s the weird guy I am now, saying those things. And then if I go back far enough, I don’t even feel like it’s me. Obviously, it’s ‘me,’ for good or for bad, and I’m not wholly responsible for it, but I have to stand up and say, yeah, I did that. And take whatever beating I had coming, you know?

But a lot of it, I’ll hear stuff, even from the mid nineties, now, and a lot of times hear it and I’m like, “who the fuck is that?” or “what are those weirdoes doing,” and people will go “Dude, that’s you!” and I’m like “Oh! Well, that’s kind of cool!” cause you just don’t have any, you have no remembrance of, no connection to the mindset that was doing that. Even now, when I hear Yoshimi Battles the Pink Robots, and then our last record, it does feel like I did that a couple weeks ago, and I still feel kind of a humiliation or just a strange, “oh, I don’t know about that,” you still feel a kind of unease about your own stuff. But when it gets far enough away, I almost never hear it and think ” what the fuck was that bullshit” you know? I always hear it and think, “Oh my god, who’s that? I like that,” and always in a good way. Again, I think you’re mind is just in a different space, I’m not sure it’s in a bigger or better place, it’s just different, you’re consumed with different things.

Yeah, we’ll defiantly talk about the Flaming Lips as, you know, Mach One, Mach Two, Mach Three… We’re probably in at least Mach Four or Mach Five stage by now, I think that’s good. I think most of the bands that I seem to go back to over and over and over seem to have stages, where they started off as one thing, and something happens and then they change and go in another direction, and then have to reinvent themselves, like, obviously, dumb things like the Beatles or Pink Floyd, or something like that, where there’s different phases to what they do, even someone like a Miles Davis, who had definitely different phases in their careers and stuff.

I don’t think you can make that happen, I think I’m lucky that these changes that have happened to us have made us, for better or for worse, reevaluate our identity and what kind of music we thought we could make, and what kind of new ideas were brought along with the changes, so, just again, by dumb luck, there’s all this big variation of, even the identity of the band, so, that’s been really cool.

QC: It’s interesting, you keep talking about luck, and it’s very humble, but its also… I wonder if you put all your stock in luck, do you not consider all the hard work that you guys have put into it has had an impact too?

WC: No, I mean, you have to be working… I do the work just because I like it, I mean I kind of get obsessed, and I know we all will fumble and stumble through the darkness trying to find these things that we really like about it, but sometimes the things that you really like no one else really likes, and I know a lot of groups out there that work really hard and aren’t very successful, and frankly the other side of it is true as well, there’s a lot of groups out there that don’t really give a shit, and don’t work hard at all, but are very successful. You kind of have to get out of it what you want, but I know some of the things that have worked, especially artistically, they’re the things that happen within the context of looking, you’re open to ideas, you’re working very hard and, it doesn’t mean that you don’t have skill, but I think most of the really great moments in any kind of art, whether it’s music, painting, film, architecture, just anything, there’s that element of a kind of magic that you really can’t explain. Why does this song work out yet the hundred others that you did that are sort of like it don’t work out, and you have to be open to the moment that something can happen, and that’s what I mean when I say dumb luck. I just mean, obviously people are working hard and people are diligent and people are determined, and all that, but without the good luck, it can only go so far up the mountain. You just have to get lucky

And I defiantly, like with Christmas on Mars, when I look at all the things that could have gone wrong and all the wonderful accidents that happened, I consider most of this stuff as, you know, you got to have good luck or you gotta stumble upon things to open your eyes to stuff. But no, I would never want to diminish the idea of hard work, but I know we like that anyway.

QC: Do you feel comfortable talking about Steve [Drozd, Multi-Instrumentalist]‘s recovery from addiction?

WC: Sure, only because, you know, I’ve been around drugs my whole life and he’s so, even when he was on drugs, a really a wonderful person, I say that only because last night we watched a couple of installments of Celebrity Rehab on our Tivo, and I’m reminded of how fucking horrible drug addicts are. And, in Steven’s defense, he was never really like that, he was never the sort of miserable Sid Vicious heroin addict that I think a lot of people would have in their minds. And so few bands ever talk about that phase of their life, and sometimes I think, well, yeah. And Stephen would talk about it as well, so, yeah, we can talk about it.

QC: I think that scene in [the Flaming Lips documentary] Fearless Freaks when he’s about to shoot up, and then, after he shoots up, it’s one of the most frightening things I’ve ever seen, um, is that something that you saw a lot, or did he always sort of do that in private?

WC: He would never do it when I was there, you just, you’d know that he’s going somewhere to do it, even when he lived in my house for a little bit, you’d know, he’s going off somewhere to do it, but he was never as obvious as you would think, it’s strange because you really are absorbed in your own life, and you really don’t think, well, what are they doing every day? You don’t really worry about it, I really think there’s a part of your mind that’s always thinking, he is a heroin addict, and he could die, heroin addicts die all the time, just by accident or by overdose or getting some different potency of the drug that they’re doing, or they’re around other drug addicts who have guns and are doing illegal things, but, I’ve been around that really my whole life. My older brothers have been addicted to drugs, and they had friends, and so, I was born in 1961, so, you’ve got older brothers and they’ve got a bunch of older friends and all that, you can imagine what our household was like, in the late 60s and, especially growing up in the 70′s, so, none of it was out of the realm of acceptable stuff. I mean, we’re in a rock band, it never seemed to be, you know, it’s not like we’re working in a church, you know? It’s sort of like, well, people do drugs, and that’s part of the deal.

And like I said, I think that scene in Fearless Freaks, I think Steven is still very charming, when he’s getting ready to shoot up, even that is, I think that [time] in the movie, that’s almost the last time he even does heroin, I mean me and Bradley [Beesly, director of Fearless Freaks] had been talking about, what are we gonna do if Stephen wants to start shooting up in front of us? What are we gonna do, as he is shooting more and more of this film, he knew it was gonna be a documentary, and how it was gonna play out. I don’t know, maybe if he’s around let’s try to film and just see what happens with that. And Bradley kind of took the initiative and said, well, I’m just gonna go talk to Steven, and see what happens with it, and I think Bradley’s intuition proves out, I think his idea was, hang around a heroin addict long enough, and they’ll shoot some heroin, ya know? That’s sort of just the way it is.

But, yeah, when I talk to especially young people about the idea of doing drugs, I’m always like, don’t do heroin, it’s too powerful. I mean, and you never know what your genetic makeup is gonna do with it. I was lucky, you know, drugs never appealed to me that much, I’ve done a few here and there but I never liked it, but I think in Stevens case, he’s just got a different attraction to that stuff, and you don’t know that until sometimes you’re too far into it to get out, and so yeah. I would tell people all the time, it’s like Heroin, Crystal Meth, I mean, shit like that. Just don’t mess with it. Cause that shit’s powerful and it’ll beat you.

QC: Is there a weight lifted now that he’s through with that?

WC: Well, it did back then, I mean when he got off of it, and then you get to where it’s 6 months and he still seems better and you’re very relieved, and then it’s a year, you think, “Oh my God, he’s really over it.” And then, when you start getting to two and three years I mean, I say it in the film, you know, previous to the Yoshimi Battles the Pink Robots record, It wasn’t as easy for us to just be a very busy rock band, we were lucky that the Yoshimi Battles the Pink Robots records was as successful as it was, but we were also able to just go around and play the world over and over, whereas if that had happened when Steven was a heroin addict, it probably would have killed him or destroyed us one way or another. Because that’s the hardest thing about being in a rock band, is there’s just so much shit you’ve got to do, and you just can’t stop and fix your life up in between. It was just, again, I go back to how lucky we were that he got off heroin, the world really took to this record, and we were able to, we still, now, everywhere we go, it’s a collection of all of the things that we do, but that record in particular is really, a lot of people will know that even more than they know us, and that, if he hadn’t gotten off heroin, I could only think, God, it probably would have been one of those dumb rock band casualties. You know, “At the height of their success, their genius multi-instrumentalist guitar player/keyboard/drummer Steven Drozd dies of a heroin overdoes” and we’d have that dumb clichéd piece of our story.

And when I see Christmas on Mars, when I see, there are scenes where he’s at the height of his heroin addiction, again, I’m reminded of wow, we’re really lucky, we really got through that. I know, it’s crazy. But then you quickly move on, like, fuck it, whatever’s gonna be next, let’s do that, you know? You can only sit at the height of the zenith of your joy or the lowest of your low, you only sit there for so long, and you quickly go back to the middle, and go alright, well, what’s next. And I guess that’s really the beauty of life. The joys go, but so do the bad things. You know, the good things come and go, but hopefully most of your life is spent in the middle, doing what you like to do.

QC: Sure. Well, what is next for the Flaming Lips? Do you guys have any plans right now?

WC: Well, I think, now that we don’t have to make Christmas on Mars in every spare moment that we have, we’re kind of looking foreword to just finishing off this sort of record that we’ve kind of been dicking around with for the past couple of years, and then playing whatever elaborate, strange places the world will have us in over the next couple of years, and see. It always sounds weird for us, when we say we’re just gonna make a record and play shows, we always feel like, Gosh, ya know, we should be doing more. But we have our annual Halloween parade that we’re always a part of, and we do our annual New Years Eve show here in Oklahoma City that, we’ll probably always do that, probably until we’re dead, hopefully. And who knows what else. I guess the idea that we could pursue making another movie, now that we’ve made one, we kind of feel like, oh, we could make another one. Again, anything is possible.

But I do try to remind people that the shear joy of being able to be in the Flaming Lips, and play in front of that audience that’ll let us sing those songs to them, these songs of whatever people make of what we think we’re singing about, when we’re in front of an audience, it really does sometimes feel like this triumph of humanity, this triumph of optimism or whatever. And that’s, I think, the audience, just accepting these songs and making them into this big epic moment, so that really, in and of itself, would be enough probably for me for a couple of years. I’d say if there’s a plan, it’s probably to just be a rock band that doesn’t have to make a movie in its spare time. At least for a year or so, then we’ll probably get caught up in something else before too long.

I know that I’ve got this Broadway Musical that I’ve got to sooner or later say Ok, we’re doing that. I’ve been talking with Des McAnuff, the director, and we kind of feel like, alright, now is the time, but I’m holding off for a little bit, cause I know, once it starts, it’s like having another child, you don’t know what’s gonna happen, it’ll consume you, so I’ve got a couple weeks here where I don’t have anything to do (laughs).

QC: Nice. Ok, one last question. What have you asked Santa for this year?

WC: I’m trying to think. I think we asked that our house be finished by Christmas. It was supposed to be finished by the end of August, but I think we asked Santa for that, but I can tell you right now… it’s not gonna happen. But it’s gonna look great anyway, so Santa will probably deliver our house finished to us probably by Spring, so… Santa will be late, but…

QC: Just in time for Easter

WC: Yea

QC: Well, thank you for-

WC: Oh wait, I’d say Santa already brought us Barack Obama, so we have that, don’t we? If there’s any cosmic entity that can claim any responsibility for Barack Obama winning instead of fucking Sara Palin, lets give it to Santa. Maybe people will be happy with that. Yeah, I’d say all of our dreams have come true, we have Barack Obama, and we can really believe in something and hope for something, and know that sometimes our ideas of the world changing aren’t just us being idealistic fools, sometimes it really does happen.

QC: That’s a nice sentiment.

WC: Awesome, well, thanks a bunch.

QC: Thank you.

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  38. Posted March 23, 2016 at 10:00 pm | Permalink

    Original title: France wants to provisions of the bars and restaurants banned e-cigarettes sparked controversy [global network reported internship reporter Zhao Yizhen according to the French “20 minutes” February 24 reports, France local time on February 24, public health Supreme Council of France announced that hope in public places, especially the electronic cigarette is banned in bars and restaurants. This initiative will lead to the electronic cigarette or re debate. According to reports, the French Supreme Council of Public Health revealed that electronic cigarette tobacco may cause poisoning, and may lead to the normalization of tobacco consumption. Therefore, the agencies maintain the relevant legal provisions prohibiting the sale of tobacco and tobacco advertising, and will be extended to all affected areas. Even if the passive electronic cigarettes no harm or influence is extremely limited, the agency that is still more than the provision of health law to go further. electronic cigarette industry association responded, and accused the French public health of the Supreme Council of the blind. The electronic cigarette industry Association believes that the French Supreme Council prohibits public health electronic cigarette and tobacco in public places, the initiative is likely to electronic cigarettes and tobacco as a matter.

  39. Posted March 23, 2016 at 10:10 pm | Permalink

    Original title: Chen Lidan: adhere to the principle of party spirit, respect the law of news [Xi Jinping light on the news public opinion work an important speech interpretation] Author: Renmin University of China School of journalism professor Chen Lidan one or two points, an action principle of Xi Jinping speech of 2.19 this year after 2013 8.19 and 2014 8.18 speech, speech on the news, propaganda and public opinion work and an important speech, the basic focus on news reports in the lead, “to adapt to the development of domestic and international situation, the party’s work from the perspective of the global positioning, adhere to the party’s leadership, adhere to the correct political orientation, adhere to the people-centered job oriented, respect the law of Journalism and communication, innovation methods, to improve the party’s public opinion propagation force, guiding force, influence, credibility”. If a condensed two points, namely, a principle of action. Two points are adhere to principles of party spirit, respect for the rule of Journalism and mass communication, and implement down, make two unified action principle is Xi Jinping has repeatedly stressed that “to the people as the center of work oriented”, do journalism “and the people of the party unity” rather than confrontation, “continue to solve ‘to whom, rely on who, I am who’ this fundamental problem”. key points about the party’s principles with respect to the news law both Marxism news view, Xi Jinping, early presides over the work of the Ningde prefectural had quite precise about, he said: “journalism as a science, politics and the relationship between very closely. But that is not to say that news can be equated with political, not say can not it is true for the political needs, so it is necessary to emphasize the party spirit of news work, we can not ignore the rules of journalism itself. ” This time, Xi Jinping once again demonstrated the principle of party spirit and respect the news dissemination rule, and further specific. Second, uphold the party spirit principle according to the speech, Xi Jinping, on the party spirit principle can be summarized in a few points, first, “must from the overall work of the Communist Party of grasp of the news public opinion work of the party”. This is the 8.19 speech points again. The Xi speech requires propaganda work put forward “bearing in mind the overall situation, grasp the trend, focusing on events, because of the situation and seek, powerful and moving, homeopathy, because more media was absorbed in immediate and local interests, while ignoring the global trend. The past two years, China’s media is doing much better than before, but there are still some propriety improper things. second, “the party’s principles, the most fundamental is to uphold the party’s leadership of the news public opinion. The host of the party and the government media is the position of the party and government propaganda, the party must name. All the work of the Party of the news media, should reflect the will of the party, reflect the stand of the party, maintain the authority of the CPC Central committee……”. Xi Jinping stressed this point, it is still necessary to. Eighteen years, various principles and policies of the Central Committee of the Communist Party of China in implementing the encounter to interests of all kinds of soft and hard to resist, for more than two years ago, the main problem is some of the media and media people directly and openly against the party guidelines and policies of the Central Committee, and then emphasis is “adhere to the spirit, core is to adhere to the correct political orientation, a firm political stance, the firm to promote the party’s theory, line, principles and policies, firm to promote the central major work deploy, firm central propaganda about the situation of significant analysis and judgment, firmly with the Central Committee to maintain a high degree of consistency, and resolutely safeguard the authority of the central government.” The same core point of the speech, but the expression slightly focus, reflect the requirements of the will of the party, the party’s views reflected in the thought, maintaining the authority of the CPC Central committee. third party principle specific aspects of public opinion orientation requirements. Xi Jinping was talking much, he said: “all aspects of the news public opinion from all aspects of the work, we must adhere to the correct guidance of public opinion. At all levels of Party newspapers and journals, radio and television stations to speaking guide, the metropolitan newspapers and new media to speaking guide; news reports to speaking guide, supplement and special programs, advertising to speaking guide, news and current affairs to speaking guide, entertainment and social news to speaking guide… ” These requirements are not some harsh? I agree. Any dissemination of the contents, the existence of non grasp, cannot abandon the moral and social basic principles to attract eyeball. A few days ago I saw a report in the Spring Festival Chronicle: a sicker Northeast Village “, this is a serious social problem of long communication, but the title in the site into the Northeast reporters return horizons: faithless, villager group about gun”, and is equipped with three piece of film “Bailuyuan” women on the Kang, strong sex of color photographs. In fact, this content and communication in only a few dozen words about several cunfu online about things (and did), and the subject distance far. This is not a problem oriented? This kind of situation now many media and in the streets, such as promoting money oriented advertisements, Guoju buried and lying on ice for carp indulge in wilful persecution historical stories to promote filial piety in the public service ads, organize thousands of students and parents feet of the main melody of the formalism of news, to mock the disabled person pretext funny sketch and so on, there are problem oriented?? oriented should not have understood as an external, through administrative control to achieve things, should be internalized into a basic occupation moral consciousness. Such as “the sincere not faze” there have been “expression would rather sit in the BMW cry, do not want to sit on the bike after laugh” point of view, this view of money shouldn’t criticize you? After rectification, now the host of the show and invited guests, obviously incorrect words to our guests are able to spot in a variety of ways in a way that does not harm the parties face the premise to be corrected, this is very good. if the “orientation” understood as deliberately following a certain pattern of do, a pile of sensational cliches + + gorgeous but quality is not high, which the “guide” requirements understanding biased. This year in Liaoning, Beijing, the Spring Festival evening show do Xi Jinping demanding “more design some financial ideological, artistic in one column, more established some popular and entertaining programmes”. three, respect press law respecting the news dissemination rule, the visit and speech, Xi Jinping tells the very real. His dialogue with reporters, said the two objective, true and comprehensive “to report the facts. He said at the forum, “authenticity is the life of news. To describe the facts according to the facts, accurate reporting of individual facts, and from the macro to grasp and reflect the panorama of events or things. The supervision of public opinion and propaganda are unified. The news media should face up to the problems existing in the work, face the social evils, jizhuoyangqing, current malpractice issued at the same time critical reports to accurate facts and objective analysis. ” This is the meaning of respect the law of the news media. Here, Xi Jinping used the words of Marx, “according to the facts to describe the facts”, with live Marx Marxism news view. Xi Jinping this speech, especially on the positive publicity and public opinion, a basic principle of “journalism is often misread the positive propaganda” comb clear. The positive publicity is not bad, but stressed the need to have a positive result. Bad things happen, good criticism, rational beneficial section communication effect is positive; and good service performance for local authorities, spread effect is negative, damage to the party’s reputation. In the past one or two years, a spate of false news to promote positive energy for the tone, but the correct guidance seems to bad social impact, because there is no respect for the law of the news media. Adhere to the principle of party spirit and respect the laws of news, the two should be unified, should remember the lessons of the past. four, insist to people as the center of work oriented in 2013 speech, Xi Jinping has repeatedly mentioned in people’s center oriented work, put forward to whom, rely on who, I am who, speaking the third title namely “the party and the people has always been consistent and unified”, his first sentence is: “the relationship between the party and the people of, originally is a clear answer to the problem, has instead become a so-called complex and sensitive issues the.” Xi noted that “you are for Party speech, or for old people to speak” this the antinomy of Party and people’s awareness of the danger, he argued that the connotation of the party and the people, his argument recovery “and the people of the party unity” the traditional party building theory of our country news and propaganda practice guidance. But in the process of carrying out the speech, in addition to the people’s Daily published a commentary in the newspaper for a signed article, for more than two years saw no view of the unity of the people of the party. the Xi Jinping inspected three media, mention “and the people of the party unity” between words revealed the devoted and loving care for the interests of the people. For example XI by Xinhua news agency media reports platform remote command system, is Henan Lankao County Gu Ying Zhen claw camp four village of investigation of grass-roots cadres of the reporter video link. General secretary pointed out that the grassroots cadres is to consolidate the party’s ruling foundation, related to the vital interests of the masses of the people. The news reporter in-depth investigation and study, the mastery of a hand. A couple who had just participated in the Chinese new year to go grassroots reporters interviewed in the newspaper. General secretary to encourage everyone to write down to earth, much loved by the masses of news reports. from the annual New Year’s message, we can see the general secretary of concern for the safety of people’s lives. He 2015 New Year message said: “this year, our country the number of major natural disasters and accidents, many of our compatriots misfortune has left us, Ludian earthquake caused more than 600 people were killed, we miss them, wish their loved ones are safe.” The first place he went to Beijing from the beginning, is rushed to the earthquake stricken area in Ludian to visit the people there. And after the earthquake, there are individual media the same day Mei Mei was arrested news do come true headlines, large headlines and allotted two big photograph, Ludian earthquake killed hundreds of people in the news, arrange in the corner. Xi Jinping 2016 New Year message said: “Oriental Star” ferry capsized, Tianjin harbor a major fire and explosion, Shenzhen landslide accident caused many of our compatriots lost their lives, and our compatriots are terrorists brutally murdered, is deeply distressing. We miss them, let the dead rest in peace, living in Ankang! The life of the masses and some difficulties and troubles. The party and the government will continue to work hard, to protect people’s lives and property security, improving people’s lives, protecting people’s health.” Xi Jinping is so concerned about the people’s safety, and some of our media reports at the time the headlines of the East Star event, is unexpectedly “students for the people, how fortunate!” “See the world through the wreck China determination”. Xi Jinping to practice their own words and deeds that he proposed “to realize, safeguard and develop the fundamental interests of the people as the starting point and the foothold, adhere to people-oriented, people-oriented” requirements. Xi Jinping, the speech again raised “to whom, rely on who, who I am, very targeted, because indeed some journalists not straighten out your position in society, forget the news work of the party’s glorious tradition and journalistic norms. During the two sessions in 2015, a Xinhua reporter after the interview please parties reviewer, did not expect this behavior was more peer criticism, such as the title of a group of critics is: “x x x personally for journalists revising, the independent personality of the reporter?” Then there is such a few words: “this is the desecration of journalism! An interview with reporters, the interview is over, write a good article, then be interviewed to modify the world, how many journalists do?” A senior reporter made more complaints: “who is eligible to change the manuscript, this did not know?…… The reporter put his manuscript with the object of modification, this is not the occupation ethics professional performance…… After the revising and what attorney revising, correcting what is really shameless audacity, disgrace the industry the remnants of the face. ” in 1943, head of the Propaganda Department of the CPC Central Committee, the “Liberation Daily” editor in chief Lu Dingyi in the US for the basic points of journalism wrote: “we do professional journalists, but has a great disadvantage, because you for the fact that you have reported, there is no perceptual knowledge,, however, does not like the person in the job especially leading the work of people know as a thorough, know so cordial. So in your reports, you must to ask the person to participate in or to lead the work, careful listening, good mind, written after would also like to ask him to seen (or heard) and rehabilitated, writing is not good to listen to his advice re write, to really obtain faithful to the truth. ” Mu Qing, Zhou Feng, Zhou original in 1966 written character communication the county Party committee secretary of the example — Jiao “,” after the completion of the draft of MuQing to Zhouyuan took the manuscript to the Lankao, county Party committee enlarged meeting of the Standing Committee on, reading this manuscript to solicit opinions. The county’s leading cadres, is prior to the people to be interviewed. 2003 mu on the eve of his death also talked about the matter: “in the published before read to you listen, this role a lot, is one of the very important point, heard of the manuscript, won’t let people what obstacles in an interview.” now we put the glorious tradition of forget. The reporter in-depth practical, learning from the masses, the masses do pupils, is Chinese Communist Party journalistic tradition, should not lose. 5, the concept of innovation, method, system about news and propaganda work method innovation, Xi Jinping in 819 speech and 2014 8.18 on promoting media fusion guidance of speech had a brilliant exposition. This time, he once again stressed that “concept innovation, content, genre, form, method, means and formats, system, mechanism, enhance for and effectiveness” and have a more distinctive form of Internet communication background. The first is the concept of innovation. Now more publicity notice is still in the traditional media as a frame of reference issued, with obvious maintenance performance of utilitarian purpose and the formalism of the inertia of thinking, news reports in this case, don’t expect someone watching. Xi Jinping said: “practice of some past, now may not be effective; the past, outdated, now it is imperative; past insurmountable. Now it needs a breakthrough.” Now two or three years later, we still have to study and sort out, which was what should have innovation be inopportune or inappropriate. This is the State Council often abolished some government documents that need to be inopportune or inappropriate, often comb, our work can often do new. last year Tianjin dangerous goods warehouse explosion, obviously feel our traditional media in reporting system, concept, way of expression and so on is too backward. About 1 hour after the explosion in Tianjin, China’s network news media showed the heroic attract language: “we are * * news Tianjin explosion in front of the group reported, about the accident, please ask me!” , and the paper version of the newspaper, the second day only in the fourth edition of the right lower corner of this event published an article even electric head only 334 words reports, incidents of death are not sure that readers get a newspaper, about accident of images and text has been overwhelming in social media spread open, who will see this out of the way news? The traditional media will not change the work idea, method, system, Xi Jinping proposed “the spread of power, credibility, influence and guiding force” requirements would be impossible. 6, statesman newspaper consciousness Xi Jinping in this speech is also the first use of the concept of “running newspaper by politicians” consciousness “. “Politicians newspaper” was put forward by Mao Zedong, with the specific context. Now Xi “running newspaper by politicians as a kind of consciousness, and the journalists” around the center, identify the coordinates in serving the overall situation, bear in mind the social responsibility “together. In our current system of media, to publicize the party’s policies is the responsibility of the media. Therefore, media reporters and editors must have a keen sense of political theory, understand the route of the Party Central Committee, the party to the Central Committee, understand the part to the whole. Happened in the past repeatedly journalists due to not understanding of the party’s policy, no local obey the whole consciousness, to the fact that the estimation of the nature of the error occurred, or because they do not know the basic national policy of national policy to do the descriptions on error. do a politician with the consciousness of running a newspaper is not difficult, as long as the timely and active learning important documents published by the party and the government and the main leaders of the speech, this study should be regarded as part of the job, you can avoid the occurrence of this kind of principle of the reported error, even if there is a man put on a variety of political and academic authority, and will not be power flicker. In this sense, our journalists not the prime minister, but to stand in the prime minister’s height to see the problem, not the general secretary, but to the overall awareness of the general secretary, understand and be familiar with the party’s basic policy in all aspects. Xi Jinping in this speech, reiterated the 8.19 speech of journalists to grasp the “degree of effect” requirements. Then he cites a series of problematic news phenomenon. For example: some of the problems originally is individual incidents, but you a long time, high density reported may let people produce the illusion; some problems need timely guidance, you to a tardy reports, can lead to arguments seem to cover what like; some problems just happened, follow-up development remains to be seen, you a scoop, it may instead caused by passive; some problems originally party and the government is resolutely opposed, you come to a vague reports may also allow people to misunderstand, seemed to harbor these things and people, and so on. This is Xi Jinping asked: “to seize the opportunity, grasp the rhythm, pay attention to strategy, from the degree of efficiency to reflect demand effect”. Obviously, is not simply to avoid the deviation from the report, but, when the degree of efficiency, it is to grasp the initiative in a mature, we need to do in-depth research. To achieve the perfection degree, or Xi two years ago proposed four points: considerable ideological and political quality, overall situation consciousness, judgment ability and the level of business.

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